For me, as a person who is hypersensitive from all sorts of information, driven by social ideologies and driven by new trends, there are many times in my life when I often feel suffocated. I seek to make the paint bubble up like a meringue, and after it dries, the countless pore-like structures become a layer of air, allowing the work to breathe. Feeling the opposition between the freedom and oppression of human beings in society, I can feel my own existence between exhalation and inhalation. I have been influenced by Japanese and Chinese religious, classical paintings, folk arts. Therefore, by adding modern elements to the ancient concept of "Anattā" in Buddhism, my works represents the meaning of spirituality and the pursuit of freedom in art. By borrowing the concept of "Anattā", I hope to find a connection between my work and tradition as well as history.

Since July 2018, I have been participating in the NIJL Arts Initiative, through the workshops I have been exposed to all genres of classical books, and I have been honestly amazed by the bold compositions and bright, contrasting, vivid colors of the works in those classic books. In an attempt to find a personal style of expression to connect my own works with these classic books, I hope to feature classic elements in my works but not looks like traditional art in the way we are used to, but form a new style of expression by deconstructing, revealing and reconstructing. By associate with the established iconography, I want to communicate with traditional art through my own works. In this communication, I would like to not only express my respect for traditional art, but also my will to innovate.